The sexy, sexy sounds of the Michael Owcharuk Trio. Michael, Nate, and Jacques bringing you standards and originals to titillate your senses while you enjoy swanky cocktails and that unbeatable Vito's vibe. We love performing here!

Hailed as “alternately buoyant and ponderous, transfixing and exceptional” (City Arts Magazine), Beth Fleenor’s Workshop Ensemble is a modular project that performs her chamber works. Grounded in learning and working Fleenor’s 20 Etudes for Blindfolded Musicians, WE also work in conduction and sonic meditation. Through the use of blindfolds to heighten full body listening/awareness, WE cultivate focused intention, highlighting that intention as a respected member of the ensemble, in a practice of non-visual, non-verbal empathic communication.

Slaughterhouse 3 is Beth Fleenor - clarinet and voice, Michael Owcharuk - accordion (and on a good day, voice), and Paul Kemmish - bass. Bringing you our own version of modern Gypsy grooove influenced by the wide world of music.

With the reflexes of a mongoose and the swagger of a leftist John Wayne, Crystal Beth* (aka: Beth Fleenor) spins her own brand of posicore purge-pop-punk-hop: a sweaty trance psychedelic ritual. Expect intense currents of bethnic chanting, propelled by the ferocious beating of the Boom Boom band.

With Tristan Gianola-guitar, Paul Kemmish-bass, Michael Owcharuk-keyboards, and Adam Kozie-drums.

Originally from Dallas Texas, singer/songwriter Jackie Pock has been taking the Seattle music scene by storm with a raw, passion-filled voice that demands the immediate and total attention of all who hear it. Drawing from her influences in R&B, Blues, Country and Soul music, Jackie’s songs speak directly to a generation of strong, independent women everywhere, granting them the courage to face their fears, kick aside the pieces of their broken hearts, and finally take back the power that is rightfully theirs.

With Brandon Gibbons - guitar, Nate Omdal - bass, Michael Owcharuk - keyboards, and Shane Row - drums.

Two distinctive composers in Seattle, clarinetist Beth Fleenor and trumpeter Samantha Boshnack, showcase their works for large ensembles in one of the city’s finest concert rooms.

Alt-chamber orchestra B’shnorkestra
 recently released Go to Orange (Present 
Sounds Recordings). The group’s bold
 and undulating blend of horn lines,
strings and percussion is conducted by
 Joshua Kohl, co-founder of the Degen
erate Art Ensemble. The B’shnorkestra
 features Alex Guy, Paris Hurley, Jherek Bischoff, members of Jim Knapp and Eyvind Kang’s Scrape, members of the SRJO, bassist Tim Carey and drummer Greg Campbell.

Fleenor’s Workshop Ensemble (WE) presents exploratory scores grounded in Fleenor’s 20 Etudes for Blindfolded Musicians; WE also performs conduction, sonic meditation and Fleenor’s cross-stitched graphic scores. WE are Michele Khazak (voice), Kate Olson, Brian Bermudez, Chris Credit (reeds), Boshnack (trumpet), Naomi Siegel (trombone), Michael Owcharuk (piano), Paul Kemmish, Evan Flory-Barnes (bass), Campbell (percussion/horn), Adam Kozie (drums) and Fleenor (clarinet, voice, composition).